Yamalik Mountain 3, 2005-15
The series Yamalik Mountain documents the daily life of a now disappeared community near the train station in the city of Urumqi from 2005. Lin used 30,000 black and white negatives, and handwritten diaries, to capture the lives of unregistered residents living on this land. Most of these individuals, coming from various parts of China, faced relocation due to rapid urbanisation and environmental degradation
Photograph: Tian Lin/Gaotai Gallery/c/o Photofairs Shanghai
Kashi Youth, 2023
Ma Hailun’s latest series, Kashi Youth, focuses on youth culture in China’s westernmost city. Her images explore young people’s daily lives, their unique vitality and wild resilience
Photograph: Ma Hailun/Gaotai Gallery/c/o Photofairs Shanghai
Reinvention, 2022
Amsterdam’s Mick Galerie showcases three emerging Dutch female photographers: Carlie Consemulder, Lotte Ekkel and Nanda Hagenaars
Photograph: Nanda Hagenaars/Mick Galerie/c/o Photofairs Shanghai
Mexican Fragments 2, 2022
Photograph: Lotte Ekkel/Mick Galerie/c/o Photofairs Shanghai
Sea of Japan, Hokkaido, 1986
One of the medium’s most celebrated artists, Hiroshi Sugimoto’s images are presented alongside work by Elliott Erwitt, Marc Riboud, William Klein and Terry O’Neil in Shanghai
Photograph: Hiroshi Sugimoto/Atlas Gallery (London)/c/o Photofairs Shanghai
Daydreamer, 2024
One of a series of Liz Nielsen’s light paintings
Photograph: Liz Nielsen/Elijah Wheat Showroom/c/o Photofairs Shanghai
Things from the Heat 3, 2024
The Singaporean artist Robert Zhao Renhui has a solo show spanning various long-term projects from across his career. He is also representating Singapore at the Venice Biennale 2024
Photograph: Robert Zhao Renhui/ShanghART Gallery/c/o Photofairs Shanghai
Amoeba Phase II, 2015
The Australian duo Honey Long and Prue Stent explore the relationship between femininity and the natural world. This exhibition by Fahey/Klein Gallery is the first collaboration between Photofairs’ editions in Shanghai and New York
Photograph: Honey Long and Prue Stent/Fahey:Klein Gallery/c/o Photofairs Shanghai
No Man’s Land 2023 No.2, 2023
New work by Luo Dan from his recently completed No Man’s Land project explores our relationship with the world surrounding us
Photograph: Luo Dan/M Art Center/c/o Photofairs Shanghai
Plum in the Mountain, 2023
Taca Sui examines how Chinese traditional culture blends with the surrounding physical landscape
Photograph: Taca Sui/Hart Gallery/c/o Photofairs Shanghai
Farewell on El Malecon (At Dusk), La Habana, 2023
Valery Katsuba’s work is exhibited alongside that of Candida Höfer, Flor Garduño, and Yang Yongliang
Photograph: Valery Katsuba/Matthew Liu Fine Arts/c/o Photofairs Shanghai
Satoko Arms, 2022
The International Photography Museum Fotografiska presents the Swedish-based duo Cooper Gorfer’s cross-media collaged portraits of women
Photograph: Cooper Gorfer/Fotografiska/c/o Photofairs Shanghai
Shanghai, 1990s
Xu Haifeng documents urban life in China in the second half of the 20th century, and is on display with works by Meng Minsheng
Photograph: Xu Haifeng/Ruipin Gallery/c/o Photofairs Shanghai
Dichroic Shopper 9.01, 2023
This image is part of a dual show by the French artists Thomas Devaux and David de Beyter
Photograph: Thomas Devaux/Galerie Bacqueville/c/o Photofairs Shanghai
Breakfast with Stephen Shore (1977), 2018
One of a number of new works by the American photographer Anastasia Samoylova from an ongoing project that stages imaginary breakfast encounters with luminaries of photography who have inspired her practice
Photograph: Anastasia Samoylova/UP Gallery/c/o Photofairs Shanghai
Ballerina in containers, Hanging in there, Le Havre, France, 2021
This image is from a solo show by the French artistJR, known for his large-scale black and white photography installations
Photograph: JR/Galleria Continua/c/o Photofairs Shanghai
Amanecer d’après Hopper, 2009
Photograph: Flor Garduño/Matthew Liu Fine Arts/c/o Photofairs Shanghai
Migration of Silver, 2023
Green on Red Gallery in Dublin is presenting the works two Irish artists, Alan Butler and Aoife Shanahan. Both interrogate the boundaries of the medium through a scientific approach, the former documenting plant life through cyanotypes and the latter exposing film to bacteria to create abstractions that highlight the unseen presence of bacteria in photography
Photograph: Aoife Shanahan/Green on Red Gallery/c/o Photofairs Shanghai
1M Behind Me, 1988-1989 by Mo Yi
C14 Gallery, Shanghai, exhibits Mo Yi’s shots of Beijing and Tianjin in the 1980s and 90s
Photograph: Mo Yi/C14 Gallery/c/o Photofairs Shanghai

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